Something I Learned Today

Punk Rock and Other Assorted Bullshit

V/A - Half Skull


I don’t have much info on this record, but it’s a cool little 7″ comp. Half Skull was a released in 1984 on Insane Industries and features four SoCal bands doing there thing. The “big” names here are Decry and MIA, who both deliver the goods - melodic hardcore. I know nothing about the other bands, Basic Math and Love Canal, but their tracks are solid also. Please, someone, anyone, fill in the blanks here.

Basic Math - Onward.mp3
Decry - Warlords.mp3
Love Canal - Greatest Sports Legends.mp3
MIA - Turning Into What You Hate.mp3

16 Comments so far

  1. malfeitor December 31st, 1969 4:00 pm

    I agree with that! Isn’t the Alternative Tentacles reissue of MIA material complete rather than their spotty job with The Dicks?

  2. tumors ela December 11th, 2005 4:27 pm

    love canal put out an album, “it’s a dog’s life so blow it out your ass” on national trust records, i believe, which was the same label responsible for the plain wrap lp as well. they was a fun band. remember one show at the olympic that turned into a huge beer fight.

  3. malfeitor December 11th, 2005 10:33 pm

    How is that Love Canal LP? There’s a sealed copy for @$6 at a record store by my house.

  4. tumors ela December 12th, 2005 1:11 am

    not too bad — quirky hardcore stuff with weird vocals, just like the song here. lotta reverb in the mix. “larry flynt” is a classic tune. brilliant cover art. the one i have is clear vinyl.

  5. Guuzbourg December 12th, 2005 1:48 pm

    So there’s British-Srilankan M.I.A., there’s German M.I.A., and there’s (American?) MIA. Confusing. Totally different music too.

  6. jason December 12th, 2005 4:44 pm

    murder in a foreign place(the album) by MIA is easily one of the most underrated punk albums of the eighties.

  7. neal December 17th, 2005 3:01 am

    i think this compilation was put out by “o”, who was in fluf and olivelawn.

    the alternative tentacles reissue of mia’s stuff is really good, but someone needs to reissue their last 2 albums.

  8. Paul December 18th, 2005 5:12 am

    I have the original lyric sheet for this compilation.(band photos, members, etc.)

  9. Geoffrey December 21st, 2005 7:20 pm

    basic math was from the san fernando valley.

  10. tumors ela December 24th, 2005 6:07 pm

    “o” also played for a while in circle one and contributed photos and reviews to flipside, too.

  11. kerry January 4th, 2006 2:46 pm

    love canal should have a reissue
    coming out soon on the great grand theft audio label(bomp mailorder)
    the love canal cd will have the dogs life lp all the comp cuts and other good shit ie: the first demo and live cuts possible reunion shows in 06!!!

  12. niteowl_kaos13 January 31st, 2006 7:33 am

    Hey tumors
    Are talking about the Love Canal show when they played with Exploited in ‘84? Those were some killer gigs!
    As far as I remember about Basic Math, I saw them play at the Cathay de Grande in ‘84 and they had maybe one or two members from a nazi punk gang called FFF (Fight For Freedom). I remember there were a bunch of F’s at the gig supporting them. I remember talking to Ranger and Engineer (RIP) at the show.

  13. Patrick February 26th, 2006 9:54 pm

    Thanks for putting this up! I traded this to a friend of mine for a Stukas Over Bedrock 7″, my god it was 21 years ago!

  14. Kennedy March 7th, 2006 4:59 pm

    Hey M.I.A. is mtvU’s house band of the week. Online they are featuring interviews and videos from M.I.A. check it out: http://www.mtvu.com/music/house_band/

  15. Anonymous August 5th, 2007 2:18 am

    Basic Math bass player Chuck Platt moved to Santa Cruz to play bass for Good Riddance, Creep Division and now I Want Out.

  16. […] So even though Decry had been around for a while, releasing tracks on comps like the Half Skull 7inch and Barricaded Suspects, Falling seemed to come out of nowhere. Make no mistake, when this platter dropped in our unsuspecting hardcore record dustbins in 1984, we just had no real idea how to even deal with it. Everything about it seemed just perfect and it defined the angst and the zeitgest better than anything else at that particular moment. […]

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